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22 LED Lights & 9 Cameras 2024
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Digital Cinematography Cameras 2020
BMD Ursa MP 12K
Canon C500-2
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13 LED Lights & 7 Cameras 2020
The Agony of Choice - Vintage/New Lenses
Full Frame Lenses 2019
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Digital Cinematography Cameras 2018
BMD Ursa Mini Pro
Canon C200
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RED Gemini
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Digital Cinematography Cameras 2017
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Cinematography Lenses Flare Tests
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Zoom Lenses
Angeniuex Optimo 15-40mm
Arri Alura 15.5 to 45mm
Canon 15.5 to 47mm
Canon 17 to 120mm
Fujinon Cabrio ZK 19 to 90mm
Zeiss CZ2 15 to 30mm
Lens Comparisons Anamorphic, Spherical, S35 & FF
NFA test FF Lenses 2019
Wide Sperical WO
Apogee-28mm-T2
Cinescope-TLS-Leica-R-28mm-T2-9
Cooke-Panchro-27mm-T2-2
Cooke-S4-25mm-T2-8
Cooke-S7-27mm-T2
Fujinon-18-55-MK-at-25mm-T2-8
Fujinon-18-55-at-25mm-T2-8
Red-Pro-Prime-25mm-T1-8
Samyang-25mm-T1-5
Spiritlab-25mm-T1-6
Zeiss-CP3-25mm-T2-1
Zeiss-Supreme-25mm-T1-5
Wide Spherical T4
Apogee-28mm-T4
Cooke-Panchro-27mm-T4
Cooke-S4-25mm-T4
Cooke-S7-27mm-T4
Fujinon-18-55-MK-at-25mm-T4
Mamiya-Duclos-24mm-T4
Samyang-25mm-T4
Spiritlab-25mm-T4
Zeiss-CP3-25mm-T4
Zeiss-Supreme-25mm-T4
Medium Spherical WO
Apogee-58mm-T2
Bokkelux-50mm-T2
Cinescope-TLS-Leica-R-50mm-T1-5
Cooke-Mini-S4-50mm-T2-8
Fuji-Cabrio-19-90-at-50mm-T2-8
Fujinon-MK-18-55-at-50mm-T2-8
Leica-Summilux-M-50mm-T1-8
Leitz-Summilux-50mm-T1-4
Leitz-Thalia-50mm-T2-8
Mamiya-Duclos-55mm-T2-8
Red-Pro-Prime-50mm-T2
Samyang-50mm-T1-5
Speedmaster-50mm-T0-95
Spiritlab-50mm-T1-5
Whitepoint-Optics-60mmT3-5
Zeiss-Superspeed-S16-50mm-T1-4
Zeiss-Supreme-50mmT1-5
Medium Spherical T4
Bokkelux-50mm-T4
Cinescope-TLS-Leica-R-50mm-T4
Cooke-Mini-S4-50mm-T4
Fujinon-MK-18-50-at-50mm-T4
Fujinon-Cabrio-19-90-at-50mm-T4
Leica-Summilux-M-50mm-T4
Leitz-Summilux-50mm-T4
Leitz-Thalia-50mm-T4
Mamiya-Duclos-55mm-T4
Red-Pro-Prime-50mm-T4
Samyang-50mm-T4
Spiritlab-50mm-T4
Speedmaster-50mm-T4
Whitepoint-Optics-60mm-T4
Zeiss-Superspeed-S16-50mm-T4
Zeiss-Supreme-50mm-T4
Anamorphic
Atlas-Orion-Anamorphic-65mm-T4
Atlas-Orion-Anamorphic-65mm-T2
Atlas-Orion-Anamorphic-40mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T4
Arri-Zeiss-Master-Anamorphic-28mm-T1-9
Autofocus for an entire movie
Alexa skin - 4 stops over and back
Skin - Alexa - 435/5219
All Camera and Lens evaluation from 2000 onwards
CML Info
Cinematography Mailing List Info
Sponsorship
Subscription & Donations
Cinematography Discussion List Help
Conditions of Membership
Cinematography Equipment Sales
CML - storylines and production opportunities in a world of Covid-19
A discussion between CML members on the 13th May 2020
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ACES Central
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Leitz Cine
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ACES Central
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Godox
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B&H Photo
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Just Cinema Gear
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ARRI
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TCS - Technological Cinevideo Services
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ACES Central
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ACES Central
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Dedolight
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DSC Labs
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Cam-A-Lot
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Just Cinema Gear
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24-7 Drama
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Kino Flo
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Lowing Light & Grip
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Nanlux
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Godox
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Lindsey Optics
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Tokina Cinema
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Leitz Cine
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VMI
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PostWorks, New York
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DSC Labs
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FilmLight
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ACES Central
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Dedolight
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ACES Central
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Just Cinema Gear
camalot.png
Cam-A-Lot
dsc.png
DSC Labs
24-7.jpg
24-7 Drama
TC Logo Centered K_2.png
Tokina Cinema
TCS.png
TCS - Technological Cinevideo Services
FUJINON.jpg
Fujinon
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Zeiss
BandH.jpg
B&H Photo
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NoMoreBoxes
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Leitz Cine
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ARRI
Nanlux.png
Nanlux
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Leitz Cine
aces.png
ACES Central
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ACES Central
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ARRI
theKeep.png
The Keep
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Zeiss
Aputure.png
Aputure
24-7.jpg
24-7 Drama
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NewProVideo
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Godox
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New Life Cine
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ACES Central
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ACES Central
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Lindsey Optics
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B&H Photo
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Cam-A-Lot
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Hawk / Vantage Film
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ARRI
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ACES Central
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Lowing Light & Grip
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Tokina Cinema
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Module 8
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Nanlux
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Just Cinema Gear
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24-7 Drama
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Dedolight
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Zeiss
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Leitz Cine
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Kino Flo
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VMI
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Godox
Aputure.png
Aputure
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Zeiss
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24-7 Drama
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ACES Central
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NewProVideo
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ARRI
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DSC Labs
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NewProVideo
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ACES Central
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ARRI
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Fujinon
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Leitz Cine
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Zeiss
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FilmLight
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ACES Central
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ACES Central
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Leitz Cine
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24-7 Drama
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The Keep
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Godox
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ARRI
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ACES Central
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DSC Labs
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Dedolight
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Aputure
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B&H Photo
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PostWorks, New York
JustCinemaGear.jpg
Just Cinema Gear
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Cam-A-Lot
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Tokina Cinema
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TCS - Technological Cinevideo Services
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Cam-A-Lot